Author Archive for david

Phil Davenport – 501 Chongqing Residency

Phil Davenport

Speech is code
2 November – 31 December 2009

Experimental poet Philip Davenport’s residency at 501 Artspace in Chongqing, China features input from several Chinese artists, in a sequence of English/Chinese text art works, titled Speech is Code.
Phi Davenport #2
Davenport has made a sequence of 8-word poems, which collage together ancient Chinese poems, lines from iconic conceptual and text art sources and modernist and postmodern poetry, finding parallels in form and intent and knitting together new meanings completely unintended by the originators.

Davenport frequently moves between literary and visual modes, exhibiting works as in situ billposter/poems in cities throughout Europe, in galleries and as 3D objects. His 2006 Heartshape Pornography series was handwritten onto artificial apples; in 2008 he relabelled street debris; 1998-2008 his Imaginary Missing People, poems made from missing person notices, were billposted in Berlin, Edinburgh, Reykjavik, Paris, London, Bilbao.
Phil Davenport #3
The Speech is Code pieces are written onto large pieces of semi-transparent paper, one side scripted in English the other Chinese, they co-exist and intermingle calligraphies, significations, syntaxes.

Principal artists involved are: Wang Jun, Mao Yanyang, Xu Guang Fu and Deng Chuan.

Yingmei Duan

25 August – 25 November 2009

Yingmei Duan - I Love my Computer

At the centre of Yingmei Duan’s performance art is her exploration of human instincts, longings, and dark desires. She examines the processes of society and questions its conventions and behaviours.
Duan is an inquisitive observer who asks questions of all facets of life in order to continuously learn and develop. Continue reading ‘Yingmei Duan’

Step Out Arts BEACDS Showcase 09

stepout25 September 6.30pm – 8.30pm: University of Bedfordshire
02 October 6.30pm – 8.30pm: Greenwich Dance Agency

The two showcases are a celebration of performance work created by four British East Asian choreographers working in various dance forms. All four pieces will feature innovative and contemporary choreographic ideas that have been researched and developed as part of the British East Asian Choreographers Development Scheme (BEACDS) which is funded by Arts Council England. Each of the four choreographers were chosen to take part in the BEACDS after a nationwide selection process and have worked with a professional mentor to advance their choreography and dance practice.

The showcases act as an opportunity for these new and emerging choreographers to present their considerable talents to an audience comprising of both public and industry professionals. After the performances there will be a Q&A session to discuss issues raised by the pieces and the project as a whole – for example, issues of East Asian identity and diverse work in the UK dance/choreography scene. This also represents a chance for the choreographers to meet their peers and, in turn, Step Out Arts hopes that promoters and programmers will discover new artists they would like to work with in the future.

Artist details

Annie Pui Ling Lok is a British born Chinese contemporary choreographer and performer. Half Truths and Allegories is a work in progress exploring processes of translation/mistranslation and possibilities of storytelling and communication through verbal and abstract non-verbal languages.

Chisato Minamimura is a Japanese deaf dancer, tutor and choreographer. BEATS will focus on Chisato’s ongoing exploration of what it is like to experience visual sound/music from the perspective of a deaf person.

Khamlane Halsackda is a British Lao choreographer. Khamlane will stage a duet called ACT 1 – ‘Origin of Love’. The work is inspired by the moment he first fell in love. By exploring this period in his life with his former partner, and memories of his childhood, he questions the core of what love is to each of us.

Quang Kien Van is an established British Chinese professional dancer, and is currently focusing on developing his choreographic career. Patient 319 is a cautionary tale that highlights the dangers of social exclusion and cultural alienation.

Tickets are now available for both showcases, early booking is essential as capacity is limited.

Ticket prices are £6 full/£5 concession

To book your place telephone:

University of Bedfordshire Box office: 01234 269 519
University of Bedfordshire, Bedford campus, Polhill Avenue, Bedford MK41 9EA

Central Bedford Box Office

Greenwich Dance Agency Box office: 020 8293 9741
Greenwich Dance Agency, The Borough Hall, Royal Hill, London SE10 8RE

For more information and a detailed timetable email Matthew Bamber at marketing@stepoutarts.co.uk marketing@stepoutarts.co.uk

Chinese Writer’s Project

Chinese Writers' Pathway

Crossing the Professional Threshold a 14 week course for creative writers of Chinese descent developed by University of Bolton in conjunction with Chinese Arts Centre.

SUMMARY
This 14-week course will provide an opportunity for new and developing writers to explore different forms of creative writing, to develop a personal project with professional supervision, and to locate their project within the writing industry.

STRUCTURE
The Course will begin in February 2010 with a five-day residential which will include taster sessions across the different forms. On the basis of their experience during the residential, participants will develop an outline for a personal project.

Over the next few weeks the project will be developed, through e-learning, to at least second draft stage. The course will conclude with a weekend event including a selection of speakers from across the writing industry and a showcase of students work.

WEEK ONE – THE RESIDENTIAL (22nd February – 27th February 2010)
The course will begin with a five day residential course at the Arvon Foundation’s Lumb Bank Centre near Hebden Bridge. Lumb Bank is located in a peaceful and attractive setting and offers writers a chance to focus entirely on their writing in the company of fellow writers, with the support of experienced professionals.
Accommodation and meals are provided.

During this time participants will be introduced to a range of creative writing. There will be taster sessions on writing prose, poetry, radio drama, short film, television drama and writing for the stage. Each session will include a writing exercise. Over the five days participants will develop three short complete pieces of writing. They will be given detailed feedback on each of these pieces and, with the help of their tutor, begin to formulate their own creative writing project.

WEEKS TWO~TO FOUR – DEVELOPING THE PERSONAL PROJECT
The writer can choose to write:

- A short film of up to 15 minutes/a number of short films totaling 15 minutes.
- A 15 minute radio drama or ten minutes of a 45 minute radio play and a scenario for the complete play
- A 15 minute stage play or ten minutes of an hour long stage play and a scenario for the complete play.
- A short story of up to 3000 words
- At least five complete poems’ lengths to be agreed with project supervisor.

An outline of the personal project should be submitted by Week Three and agreed with their supervisor by week Four.

WEEKS FOUR TO TWELVE – COMPLETING THE PERSONAL PROJECT
From Weeks Four to Eight the students will work on their personal project with e-supervision from their tutor. A first draft of the complete project should be submitted by Week Eight. An in-depth on-line tutorial will take place in Week Nine.
The second draft of the project should be submitted by week 12 for feedback in Week Thirteen.

WEEKS TWELVE TO FOURTEEN – INTRODUCTION TO THE WRITING INDUSTRY AND SHOWCASE OF WORK
During the final weeks of the course participants will plan with their tutor how their work might best be showcased; for example, through a reading by the writers themselves, perhaps with professional direction, or a reading by professional actors.

They will discuss with their tutors how to place their writing within the industry and be encouraged to consider the future progress of their writing.

The final residential weekend of the course will provide participants with a chance to meet representatives from across the writing industry, likely to include the Royal Exchange Theatre, Manchester, Bolton Octagon Theatre, BBC Writersroom, an independent television company, a publisher and a literary agent.

Following this the participants work will be showcased at the Bolton Octagon Theatre in front of an invited audience.

The programme is highly subsidised with funding provided by the University, with the final course fee being only £186, it would be an excellent opportunity work to develop your career.

Places are limited, and deadline is 29th January 2010, therefore get in touch soon, if you are interested.

For more information click here or to book a place contact Rebecca – R.A.Albrow@bolton.ac.uk

Guanghwa Bookshop

Main Gallery Exhibition
Guanghwa Bookshop

bookshop2bookshop1

Established in 1971, Guanghwa Company Limited specialises in an extensive range of quality books and magazines from mainland China and Hong Kong, in both English and Chinese. Categories include language learning, martial arts, literature, philosophy, history, herbal medicine, painting and calligraphy etc.

Our store in Manchester (inside the Chinese Arts Centre) is now open to public. Offering a selected range of Chinese art materials and books. Sales exhibition of the bestselling Chinese titles will be held on Saturday, 19th September, 2009.

Click here to visit Guanghwa Bookshop’s website.
2009 Guanghwa Book Fair

plAAy Artist Talks – Alwin Reamillo & Bindu Mehra Tuesday 26 May 2009 – 6pm

Alwin Reamillo’s prolific practice involves ambitious large scale social
sculptures and installations. His artistic practice is fundamentally
grounded in understanding the dynamics of trans-cultural migration, and
how art can shape new ways of thinking. His work thrives on community
values, and involves a democratic participation, building social
sculptures, in which everybody contributes to the creation of fantastical
collaborative objects.

Bindu Mehra is a London based artist whose work reflects a strong interest
in drawing. It questions the hierarchy between ‘high art’ and ‘low art’.
Mehra has recently been experimenting with the material hot glue to create
translucent flexible sculptural installations made of interlaced
lines/motifs.

For more information contact: Amy Cham, Asian Art Coordinator
Email: amy.cham@blackburn.gov.uk

AlwinBindu

Lending a Hand to the Children Orphaned by AIDS in China

Lending a Hand to the Children Orphaned by AIDS in China a talk by
Chung To, Chairperson, Chi Heng Foundation

During the 1990s, blood selling became a popular way to earn supplementary income for poor peasants in Central China. Due to unsanitary blood collection practices, such as re-use of needles, unsterilized equipment, blood pooling, and re-injection of blood back to the donors after plasma extraction, many blood donors contracted HIV and other blood-related diseases. Some rural areas became seriously affected by AIDS, with an infection rate as high as 40% to 60% among the adult population.

The AIDS epidemic also creates a growing orphan population. As more and more adults die of AIDS, the children they leave behind will become orphans. Growing up without the love and care of parents, these children may not be able to go to school due to lack of financial means, and may develop psychological problems. These orphans, who could soon be in the millions as China’s AIDS population grows, will be less likely to be employed when they grow up if they are not educated.

Volunteering on behalf of the Chi Heng Foundation (CHF), a registered charity based in Hong Kong, Chung started a program providing assistance to the AIDS patients and their children. Currently, CHF provides education sponsorship and other care and support for over 7,500 children whose parents have died of or are dying of AIDS in the area, making it the largest non-governmental operation focusing on serving the AIDS impacted children in China.

During countless trips to the Central China, Chung had visited hundreds of households in many villages deeply affected by AIDS. He will share his first hand, intimate experience from a local perspective with the audience, and what the program he founded is doing to help these children. In addition to discussing the current situation, Chung will also talk about the needs of the orphans and how we can help.

Andrew Lim

Andrew Lim - Slip Beneath/Downtrodden

6 May – 9 September 2009

Andrew Lim devises and follows rules for the creation of structures that respond to the architecture and history of sites. He uses objects that have a historical connection to the site in which they are situated, such as objects from the building’s former use or discarded elements found within the building. Continue reading ‘Andrew Lim’

Jessica Tsang

21 May – 21 August 2009
Open Studio 15 –21 August 2009

Jessica Tsang - Rabbit Fox

Moving between materials, Jessica Tsang has made works that combine sculptural forms and the painted surface. Jessica’s work focuses on the dynamic between the painted image, and the qualities of the physical structure this representational surface occupies. This dialogue formulates itself as objects consisting of a painted 3D surface, and an accompanying wooden structure where the work explores the boundaries between 2D and 3D work. Continue reading ‘Jessica Tsang’

Sarah Sanders – 501 Artspace Residencies Chongqing

Sarah Sanders
501 Artspace, Chongqing
January & February 2009

My five-week residence uplifted and daunted me. Understanding culture differences was probably the hardest thing for me to deal with. Repulsion to touch, smell and see. Unfamiliar tastes and noise repelled and disturbed me from the environment at the worst of times. The best way to deal with these difficulties was to just get on with what I had to do; get up, eat, work, smoke and drink beer. Continue reading ‘Sarah Sanders – 501 Artspace Residencies Chongqing’