Archive for May, 2009

plAAy Artist Talks – Alwin Reamillo & Bindu Mehra Tuesday 26 May 2009 – 6pm

Alwin Reamillo’s prolific practice involves ambitious large scale social
sculptures and installations. His artistic practice is fundamentally
grounded in understanding the dynamics of trans-cultural migration, and
how art can shape new ways of thinking. His work thrives on community
values, and involves a democratic participation, building social
sculptures, in which everybody contributes to the creation of fantastical
collaborative objects.

Bindu Mehra is a London based artist whose work reflects a strong interest
in drawing. It questions the hierarchy between ‘high art’ and ‘low art’.
Mehra has recently been experimenting with the material hot glue to create
translucent flexible sculptural installations made of interlaced
lines/motifs.

For more information contact: Amy Cham, Asian Art Coordinator
Email: amy.cham@blackburn.gov.uk

AlwinBindu

Lending a Hand to the Children Orphaned by AIDS in China

Lending a Hand to the Children Orphaned by AIDS in China a talk by
Chung To, Chairperson, Chi Heng Foundation

During the 1990s, blood selling became a popular way to earn supplementary income for poor peasants in Central China. Due to unsanitary blood collection practices, such as re-use of needles, unsterilized equipment, blood pooling, and re-injection of blood back to the donors after plasma extraction, many blood donors contracted HIV and other blood-related diseases. Some rural areas became seriously affected by AIDS, with an infection rate as high as 40% to 60% among the adult population.

The AIDS epidemic also creates a growing orphan population. As more and more adults die of AIDS, the children they leave behind will become orphans. Growing up without the love and care of parents, these children may not be able to go to school due to lack of financial means, and may develop psychological problems. These orphans, who could soon be in the millions as China’s AIDS population grows, will be less likely to be employed when they grow up if they are not educated.

Volunteering on behalf of the Chi Heng Foundation (CHF), a registered charity based in Hong Kong, Chung started a program providing assistance to the AIDS patients and their children. Currently, CHF provides education sponsorship and other care and support for over 7,500 children whose parents have died of or are dying of AIDS in the area, making it the largest non-governmental operation focusing on serving the AIDS impacted children in China.

During countless trips to the Central China, Chung had visited hundreds of households in many villages deeply affected by AIDS. He will share his first hand, intimate experience from a local perspective with the audience, and what the program he founded is doing to help these children. In addition to discussing the current situation, Chung will also talk about the needs of the orphans and how we can help.

Mandarin Speaking Corner

MandarinCorner
Chinese Arts Centre and Wai Yin Chinese Society are collaborating to give you the opportunity to meet other learners of Mandarin Chinese. Group activities and free practice followed by a free screening of a mandarin language film, will help build vocabulary and encourage speaking confidence.

All learners at all levels welcome.

Every last Saturday of the month from 1.30pm.
For more Infomation please contact Gassintern@chinese-arts-centre.org

Andrew Lim

Andrew Lim - Slip Beneath/Downtrodden

6 May – 9 September 2009

Andrew Lim devises and follows rules for the creation of structures that respond to the architecture and history of sites. He uses objects that have a historical connection to the site in which they are situated, such as objects from the building’s former use or discarded elements found within the building. Continue reading ‘Andrew Lim’

Jessica Tsang

21 May – 21 August 2009
Open Studio 15 –21 August 2009

Jessica Tsang - Rabbit Fox

Moving between materials, Jessica Tsang has made works that combine sculptural forms and the painted surface. Jessica’s work focuses on the dynamic between the painted image, and the qualities of the physical structure this representational surface occupies. This dialogue formulates itself as objects consisting of a painted 3D surface, and an accompanying wooden structure where the work explores the boundaries between 2D and 3D work. Continue reading ‘Jessica Tsang’